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Thomas Baugh plays the Fisk organ, op. 124, completed in 2004 at Christ Episcopal Church, Roanoke, Virginia. *First recording
Searle Wright: Introduction, Passacaglia and Fugue
Gabriel FaurÃ©: PellÃ©as et MÃ©lisande Suite, Op. 80 transcribed for organ by Thomas Baugh*
PrÃ©lude Â· Fileuse Â· Sicilienne Â· La mort de MÃ©lisande
Gerre Hancock: Toccata*
Nicolas de Grigny: RÃ©cit de tierce en taille Claude-BÃ©nigne Balbastre: NoÃ«l, OÃ¹ sâen vont ces gais bergers?
Richard Cummins: Hymn Prelude on Nyland*
Robert N. Roth: Improvisation on The Infant King *
J. S. Bach: Wir glauben allâ in einen Gott, BWV 740
J. S. Bach: Prelude and Fugue in C (â9/8â), BWV 547
This unique organâs plenum is made unusually rich by including only open flue pipes in the manual divisions â there are no stopped ranks or partially-stopped ranks (such stops as Gedackts, Stopped Diapasons, Bourdons, Rohrflutes, Chimney Flutes, etc.) but, instead, a rich panoply of entirely open flue ranks at all manual pitches, including sumptuous open and harmonic flutes, principals, montres, and harmonically well-developed strings, etc. Add to these warmly glowing sounds the telling ensemble and solo reeds so beautifully voiced, and the organ becomes an ideal venue for repertoire benefiting from gorgeous sound. Demonstrating this is a program of such works, especially the orchestral effects achieved for Thomas Baughâs transcription of the beloved music composed by Gabriel FaurÃ© for Maeterlinckâs play, PellÃ©as et MÃ©lisande, and also especially the major work by Searle Wright.